Saturday, December 28, 2019

Essay on Magical Realism - 1238 Words

Magical Realism The idea of a genre of art that is called magical realism is less a trend than a tradition, an evolving genre that has its waxings and wanings, where each evolving form expresses an idea that may overlap another, yet at the same time branches off and creates something very different. What began in the visual arts has become a contemporary literary genre due to divergences. Contemporary Latin American writers of this mode include Alejo Carpentier, Jorge Luis Borges, Isabel Allende, Gabriel Garcia Marquez, Octavio Paz, Pablo Neruda, and Majorie Agosin. At the same time there are many writers of the genre world wide, though every form may take one new meaning. The magical realist does not depend on the natural or physical†¦show more content†¦Still, through Rohs conception of the term magical realism, he wished to infer that there is not necessarily any ancestry or chronology that a name such as Post-Expression would imply; he wanted to break from designating it as an aspect of a movement (Zamora 5; 15-16). With a more contemporary view of magical realism that brings it into not only the literary circles, but more specifically the Latin American literary circles, and also overlaps with magical realism initial meanings, Alejo Carpentier called magical realism lo real maravilloso americano. He initiates a uniquely American form of magical realism that opposes the European Surrealist meaning. Magical realism was not to imply a conscious assault on conventionally depicted reality but, rather, an amplification of perceived reality required by and inherent in Latin America nature and culture (Zamora 75). Carpentier speaking on behalf of Latin American magical realism argued: The fantastic is not to be discovered by subverting or transcending reality with abstract forms and manufactured combinations of images. Rather, the fantastic inheres in the natural and human realities of time and place, where improbable juxtapositions and marvelous mixtures exist by virtue of Latin Americas varied history, geography, demography, and politics - not by manifesto. The understanding of the different forms of magical realism that have developed, and the contradictions within those forms, allows us toShow MoreRelatedThe Magic Of Magical Realism1237 Words   |  5 PagesCorey DiPietro Professor Graf ELIT2055-A March 22, 2015 The Magic in Magical Realism While reading the stories Death Constant Beyond Love and And of Clay We Are Created I found myself glued to the text. The both of them had such great detail and it kept you wanting to read more and more. 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